Malkmus warmed up to the audience as the night rolled on. The man could get a stadium jumping even if he didn’t own one of raps greatest back-catalogues – the classic G-Funk bangers Who Am I? (What’s My Name?) and Gin and Juice got a workout. The show opened with Next Episode, the iconic collaboration from Dr Dre’s The Chronic 2001 before launching into decades of hits, switching from tracks he’d cameo’d on, to covers of other rappers’ hits, including touching tributes to Biggie and Tupac. When he took off his sunglasses 20 minutes into his set, it was clear this was unmistakably, authentically, a dude who was way too high to be at work. Snoop walked on stage with a blunt in his hand, and lit up another partway through the show. I can say this much from my perch in the stands. The conversations challenged listeners to prioritize the experiences and knowledge of Black, Indigenous and People of Colour (BIPOC) and immigrant women “so they can be central in the decision-making to improve and transform housing opportunities.I’ve wondered over the years how much of Snoop’s confounding persona is authentic, and how much is pageantry? Of his criminal background – how much is memory, and how much is marketing to shill records (and lately NFTs)? Does he, as he urges the crowd to do, smoke weed every day? The panelists shed light on how women’s experiences of homelessness are underestimated and misunderstood. The fifth episode of the series – Homes and Homelessness: Women’s Struggles, Resilience and Action – was created in honour of International Women’s Day and featured a panel discussion about the distinct barriers that diverse women face to secure safe homes and housing and reflected on the resilience of women and the actions needed to combat the global housing crisis. I hope in the process of working on this video series, that we may be inspired by women taking action in our communities now.” “There is a long history of feminist activism involving different styles of leadership and community-building that we can learn from. When we do recognize or honour women, we tend to focus on public figures who already have some power,” says Stephens. “Too often, women’s everyday contributions are overlooked. Stephens hopes to build video collection that will be viewed by others as an archive of local feminist history. This is part of the necessary project of acknowledging the specific burdens that they face during this era,” she says, adding that the series models respectful, open-ended dialogue between women. In the age of COVID-19, it’s crucial that we cultivate public virtual spaces in which to draw upon the critical perspectives and projects of diverse women living in our communities. “Anti-racist feminists tend to value lived experience in the face of patriarchal, colonialist knowledge regimes that have worked to silence racialized women in particular. Stephens says she chose the video format because embodiment is important to her, especially from an anti-racist feminist perspective. The first couple of episodes featured women from VIU, but Stephens says she wants to expand that and eventually host a range of women from across Vancouver Island. Stephens is the host and interviews a different guest every episode.
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